The March 11 (“3/11”) earthquake and tsunami disaster striking Japan has brought into sharp relief the basic resilience and sense of unity of the Japanese people. Whatever the faults of Japan, this is one of Japan’s underlying strengths. Japan’s history includes a lot of respect for nature, in part because nature’s fury is so regularly beheld  through typhoons, earthquakes, tsunamis, and so forth. Resilience is  therefore a virtue well suited to Japan.

Resilience in society means coming together for a common purpose. This is by no means a trait unique to Japan; whatever their other divisions, Arabs have an ancient tradition of hospitality that suits a desert people. Japan has an ancient tradition of coming together as a society to rebuild. This includes a high level of social organization. Westerners are familiar with Japan’s famous rallying around government relief efforts and emergency support services, but that is only what can be done in the first hours and days.

As great as the suffering from  the earthquake and tsunami are across the eastern edge of the Touhoku region (Touhoku: lit. “North-Eastern”), the Fukushima nuclear disaster stands out because, quite simply, it’s hard to think of rebuilding when the disaster is still ongoing.  It may be a slow burn rather than a “meltdown” right now, but radioactively speaking, the region is still far too hot for the residents’ comfort.

Fukushima City is in the relative north of the southernmost prefecture of Touhoku.

Since this is a regional disaster in terms of degree, even though the aftershocks can be felt throughout the entire country, events like Comiket (for “Comic Market” verbally mashed together) are still ongoing. In preparation for the next one, in December (official site here), more than one self-published manga has arisen to speak out about the trials and difficulties of the people affected by the “3/11” disaster.

Through art, the resilience of Japanese culture expresses itself,  but it is not an individual expression: it is a call to arms for society to unite after the disaster, not just during it. That,  after all, takes more work, and is a longer-term process.  Of course, for the people directly affected the most, it is still very much an ongoing disaster.  Through manga, certain writers are working to keep these events fresh in Japanese minds outside the Touhoku region.

Some are even working towards English translations of their works to further spread awareness about the tsunami, earthquake, and nuclear plant disaster aftermath to the rest  of the world. I have mentioned it before, but I am helping one group in such an effort. I think the sensationalist, low detail Western media can benefit from being offset by cultural works created by people directly affected.  These are voices that should be heard.

Society coming together is not just a physical act. It is a social and spiritual one. Even so, there are many practical things that will need to be done to support the disaster victims. Over time, I intend to do more to provide tangible assistance in cooperation with Japanese people (or 日本人、nihonjin) themselves, because building bridges across the language and cultural barriers is a large part of what I learned Japanese for. Now is the time to go from theory to practice.

Even so, what we can all do, spiritually, is give our moral support, and that is something I do very freely in this instance.

For example:

頑張って、日本！

(Hang in there, Japan!)

みんなが応援しますよ。

(We’re all rooting for you.)

May Japan recover and grow even more vibrant, as it has done many times before. It won’t be easy – it never is – but rising from disaster is a human trait that,  as a human being, I choose to take pride in.  – J

Reaching the point where I can show people some of what I’ve been working on has come slower than I expected, but I can talk about a bit of it. Mainly, I had been helping a group of Japanese people translate a webcomic about life in the area affected by the Fukushima nuclear plant incident. The author has two kids (daughters, 8 and 11 years old) and has the sort of massive concerns you would expect a person to have.

When the highly abnormal becomes normal, someone desperate for normality might find the situation somewhat mad. I think that’s what the comic reflects. It’s all about normal people and their very natural concerns. As such, I find it all very poignant and something the world should see (in English etc.) as soon as possible.

It’s not quite all set up for unveiling to the West, but the Japanese version (the “Fukushima Radiation Diary”) will be getting bounced around Comiket, Japan’s world-famous self-published comics convention. (This is more accurate than the term doujinshi, which literally means “Story with the Same Characters,” i.e. fan fiction. Clearly, the above webcomic is about events all too real! But it is not carried by any publisher yet.)  Believe me, I’ll let everyone know when this is all ready for the West. People just want their i’s dotted and t’s crossed first.

Aside from that, I’ve been doing the heavy lifting translating, for subtitling, a press conference. I won’t say what yet because a) this’ll be done very soon now, b) I’m not sure how public it should be so I won’t run my mouth. (^^;) Let me tell you, it is a lot easier going by text, or text and ear, than by ear alone. It’s heaven compared. I’m a good translator, but I’m certainly not trained as an interpreter.

If I do more of it, I’ll get better, but some large part of me hopes not ^^;

Aside from that, I’ve just been doing odds and ends helping a startup company, well, start up, but it hasn’t been at a fast pace for a little bit of time. The bigwigs are meeting to change that. Sounds good to me. Being busy is good, if it’s about making money at least. – J