I haven’t done one of these in a while because it’s hard to get used to the “train of consciousness” type of writing. In fact, I won’t really do that. I’ll break this up into little sections and make it easier to read that way.
I still find this to be a really good show. The best part is very much the interaction between girls, and now there’s a princess who looks like Sailor Moon wearing a middle school fuku to attract attention. She’s quite adorable, really. Being a crazy-good hacker adds to her charm, but she really wasn’t prepared to be borrowing Captain Marika’s pirate outfit (with a pleated skirt) in Episode 9.
Anyway, this show has teased certain things but we know that things will get a lot more “serious” in episodes to come. The pace is rather Goldilocks: not too frantic and not too slow. Of course some may disagree on that. The show also has a memory, like about Chiaki’s weakness for parfaits. (Then again, why would any self-respecting girl resist…?)
I made a little review of this on this blog, but just to reiterate: I liked this show more than I expected, but actually, what drew me in was a really zany Monster Hunter spoof, since I have played many of those games. As usual, I’m not quite the game fanatic some of my friends are, but still, it was interesting. Anyway, the show rose above cheap comedy and became more complex comedy with a lot of laughs, cheap and otherwise. It’s hard for me to watch a show about ordinary people in comedies, somehow. This bunch of weirdos makes it somehow pleasantly tolerable.
I’ve been expanding my reading material lately. One is a food blog called Just Hungry; the other is a fashion site called Tokyo Fashion. Both are about Japan’s food and fashion, of course. I have to say, my hardest translation jobs – at least, before finding broader, more thorough Japanese sources – were always: a) food; b) songs; c) songs about food, in ascending order of gratuitous work. (Mahoromatic manga, I mean you.)
There’s a lot not to like about the political situation in Japan. Recently we saw the sitting Prime Minister declare that no one bears individual responsibility for the Fukushima disaster. First, when everyone’s responsible, no one is. Second, the very idea that a single person should be a scapegoat for a powerful earthquake and subsequent tsunami is patently ridiculous. I know that’s not exactly what was being talked about, but really, it’s close enough.
I’m still not happy about finding out that all the (mostly) spent fuel rods stored in those reactor housings were there because environmentalists sabotaged every effort to find/ build a better place for them, greatly raising the possibility that if there was a disaster, it could get ridiculously out of hand.
There’s also the constant denial that they can do without any nuclear power at all and still have a reliable and functional economy. I appreciate the faith of the anti-nuclear crowd, but unless they’re willing to go back to an agrarian society with dirt-poor peasants, they need energy. Energy that doesn’t cost them internal organs would be good. This whole mess with Iran isn’t helping them at all, but if they don’t cooperate in shunning at least 20% of the oil they import from Iran, the United States has essentially promised to destroy their banks’ ability to do business with America and its ‘real’ allies. Not pleasant.
I shunned this show for a long time. Now that there’s a 2nd arc running, I can tolerate the apparently obligatory references to the first Gundam and the heretical idea that the “friend on the other side of the warring nations” would actually spare the protagonist’s life. Well, he did, or we wouldn’t have much of a show left.
Right now, this show is more than tolerable. I’m not looking a gift horse in the mouth, people. I’ll see where it goes.
This show has to be some of the funniest stuff around right now… for a mecha show… oriented towards guys. Actually, I’m assuming it is; there’s certainly pretty boys stuck in there for show for someone. At any rate, the show isn’t afraid to get ridiculous… in a good way.
It’s only taken me over a decade to see this Original Video Animation (4 episodes). Well, at least the ending wasn’t complete suck. Better for the characters, but like was intended, it sure makes you wonder what side was right, whether any of the struggles really mattered… but, they mattered to the characters, so maybe that’s what counts. Anyway, not a bad show in the slightest, for as long as it lasted anyway.
I didn’t gravitate to this right away. I watched episode 8 (or was that 7? I can’t remember) then found a little of the manga to read to understand the basics of where this all came from, then watched episode 9 where a major plot point is dropped, and no, spoiling wouldn’t be a good thing here. I half-suspected the twist but I had no idea why anyone would go that route. Guess I’ll see. This is the kind of show that could have been a lot more annoying but doesn’t really feel that way.
I’m still stuck between jobs. Somehow I need to build contacts all over again and get some translation or tutoring work to fill a gap before my future job comes into being. It’s coming, things are just too darn slow. Establishing a company isn’t easy, apparently. I’m helping my father prepare for production where and how I can, but the gap is still really annoying for everyone involved. Even so, I love languages, so I’m going to have to do something about it. – J
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