Japanese Folklore: Yuki Onna (The Snow Woman)

雪女(ゆきおんあ)

While I like the younger, cuter version in Nurarihyon no Mago, by rights, Yuki Onna a.k.a. “Snow Woman” is one of Japan’s more popular and enduring figures in folklore. The above image is taken from “Kwaidan,” a film from 1964. Originally, this is Kaidan (怪談), for “Ghost Stories.”

I’ve said it before, but it’s better to slant translations to plurals when there’s doubt. In this case, Kwaidan is an anthology film with four separate “ghost stories,” with that of Yuki Onna being one of them.

A good summary of her myth in Kwaidan can be found here at SaruDama, and I really don’t want to repackage what I think is a well-written summary. This may be the version that made it into a movie, but Yuki Onna goes way back in folklore.

In essence, we may see her as the personification of death by exposure in winter, the silent embrace of the snow, as if being embraced by a woman. Thus, her very existence is essentially poetic.

Actually, I had my first cultural exposure to her playing Final Fantasy VII, where I encountered her as an enemy while wandering a glacier with my main character’s party. She breathed cold and in general lived up to her billing.

Now, the girl by the same “name” (it’s more of a title in this case) in Nurarihyon no Mago is a sort of “new generation” Yuki Onna because we’ve seen a fully mature version in flashbacks relating to Nurarihyon when he was in his manly prime. Nonetheless, I admit to liking her design quite a bit. She can still freeze you with a cold stare or a cold blow, but well, she’s warmer and cuddlier none the less.

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Why We Watch Anime, Part One: Creativity

So Why Do People Watch Anime?

This is a question posed to me by Andre Klein, the guy who owns the server this blog runs on and the man behind Learn Out Live. A German national, he has a family member who’s into anime, over in Germany. Clearly people watch from all over the world but, why is that?

Well, I think the first answer is, quite simply, creativity.

Generally, the first thing that strikes a person is the following effect: you are instantly transported into another world. That world may resemble the one we normally live in, and certainly resembles it more if we relate to things Japanese people regard as “normal” (such as their high school life, which is frequently portrayed in anime, even for shows watched by young adults), but creativity defines the medium.

Anime is an extremely competitive business. Anime, and its manga and novel roots as well, must fight through quite a bit of hurdles to reach the screen. More to the point, the mature, competitive Japanese anime industry demands the appearance of uniqueness to compete for fan attention.

When jaded fans look at a show with wildly different characters, setting, backgrounds, and plotlines, and they say, “Oh, that’s just like Love Hina,” they are demonstrating the sky-high expectations fans have. Granted, genres exist, and shows in genres can resemble each other quite a bit in certain respects, but we’re still drawing parallels between the upper floors of tall towers of creativity.

To compare, the Korean domestic anime and video game industry is renowned for exceptional artwork that really tends to impress at first glance. Yet, Korean domestic video games and anime tend to be systematically lacking in creativity and plot depth. This is not to criticize any particular person, and again, the size and depth of the industry in Japan is simply on a different scale and influences the outcome. Even so, when averaging out, the Korean industries simply do not match the Japanese industries in terms of creativity and plot.

As such, a lot of very nice productions have occurred as a result of collaboration between Japanese authors and producers (and voice actors, or seiyuu) and Korean animation studios.

The point being, creativity is where it starts. Creativity is what made the first anime – which used knock-off, Disney inspired drawing techniques – gripping enough to viewers to catch on.

Comparisons To “Live Action”

Live action – as in, what passes for normal TV drama and film – is a different animal. In certain senses, it has a much easier task; we relate well to fellow human beings. It is to compensate for this that anime uses the freedom of the drawn cel to engage in things like cartoon slapstick humor at a moment’s notice, or using exaggerated, manga-style effects to show us how a particular character is annoyed.

Furthermore, as a result of the sort of “special effects” required by even typical level anime, translating the spectacular content anime can use into something made for live action would be astonishingly expensive. It’d be Avatar level for your average TV drama. Japanese live action shows don’t do this, and neither would any Western shows, of course.

Having said this, I’m not really seeking to compare Japanese live action to US live action. Rather, it’s more like this:

Japanese anime tends to have much deeper plotlines and much more unique characters that American live action television and film, which gives the Western anime watcher something seemingly unique and radically different to work with.

So that is why, in simple terms, creativity in anime draws people away from live action Western content.

Now, the Japanese public has a large appetite for seeing American movie stars on the big screen, just like the rest of the world. The human factor is very compelling and important. Also, viewers get interested in what is not typical for them. There’s a lot of anime in Japan, but your Brad Pitt or Angelina Jolie are just a slight bit more exotic to Japanese people than they are to Americans.

I say a slight bit more because, well, they’re not normal or typical for America, either. That would take all the fun out of it.

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Quick Opinion: OreImo Episode 8

When Anime Insiders’ Oxen Are Gored

For the context of this, you should look at Random Curiosity’s review of episode 8 here, and for what I’m about to quote, original credit goes here.

Essentially, this episode was about a bubbly girl author’s hopes and dreams getting hit with, as Random Curiosity’s reviewer puts it, the reality bat when faced with animation staff. Through interventions by her loyal big brother, and also, by her friend and fellow writer “Kuroneko” (“Black Cat”), show star Kirino gets most of what she wants and is very happy – and never finds out what was done behind her back, it seems. This is in spite of Kuroneko not even liking Kirino’s style of work (and taste), but she wants Kirino’s work as an artist and creator respected because she’s a creator, too.

Anyway, that’s the short version. The show goes into the issue of how works get modified, sometimes very heavily, when adapted to anime (TV or film).

But, apparently the episode itself was altered compared to the novel version. More on that another time, though.

The point is, Ito Makoto, the anime producer of “School Days” and “11 Eyes,” has made a Twitter statement to the effect that this OreImo episode made him distinctly uncomfortable.

Basically, his point was that this is a delicate issue for producers and original authors to begin with. Why stir it up? Why portray the two sides as antagonists? In his mind, it’s a cooperative effort, not an adversarial one.

I’m hardly going to call this a bad statement. I’m cursed with the ability to see all sides of any dispute. (It’s inconvenient, I tell you.) But I think that there’s a side to this that may not have been obvious when watching the show.

The Fan View

It’s not really about the authors feeling that their works are being butchered. It’s about the fans feeling that their favorite authors’ works are being butchered… and with high irony, this includes this very anime episode, which you can see in the Random Curiosity comments (in which I have myself commented). There’s criticism that this episode strayed too far from the original author material… though there is a reason for that.

Anyway, the point is, there’s mouthpiecing for the usual fan complaints that anime is too altered from the original. Surely we have all seen this. There are things where original material simply doesn’t “work” on the screen; Monster comes to mind, and yes, I have read the manga from the first volume to the bitter end. There are also works where a film is so wildly different from the original material that one wonders why anyone bothered.

And so forth.

So, this episode took two sides.

Side #1: There really are many considerations that must go into an anime version, like it or not. This includes the schedule.

Side #2: Producers and their staff bear a responsibility to be as faithful to the original material as possible, not to just butcher it out of laziness, and even out of intellectual spite that they have to work on “popular crap.”

Of course, side #2 is what got Ito-san worked up. I understand that.

But, I think that the real message was to the fans themselves. That is, be very grateful when your favorite work (like uh… Ore no Imouto Ga Konna Kawaii Wake Ga Nai, itself?) gets animated and is as close to the original material as it is, because there are a LOT of barriers in the way, not just to get a show on the air at all, but to keep it faithful.

If this sounds like a backhanded apology of some sort, that’s because it kind of is.

The Story Behind The Story

Spoiler tags below, because this would spoil the plot of the third novel volume. (And I’m working hard to make these work properly on my site – J)

show

So now you know… the rest of the story. …I’ve always wanted to say that line once.

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Fortune Arterial: Vampires and Astonishing Normality

OK, OK, The Gallery Was Right…

How Can It Be This Normal?

Fortune Arterial is a show that starts out with a special little twist unworthy of spoiler tags: the leading girl (as well as her big brother) is a vampire. But, she can walk around in daylight and have a “normal” school life in spite of her advanced chronological age. Well, she seems pretty young for a vampire, and certainly has a young girl look.

So, our main male character comes to discover this and, while containing some kind of secret alone related to his blood, which has not yet been properly revealed, he is essentially drafted into the Student Council to keep the secret safe and to contribute to a shockingly normal private school life.

What I mean by shockingly normal is that there’s festivals, races, other school events, helping people with their personal problems, and so on.

It feels like RPG sidequests.

I’ll admit straight up that I happen to like these characters, and certainly the girls are by and large a collection of sweet looking girls and a lot of eye candy, but this is one of those shows that was based on an adult visual novel. We’re talking adult as in R18+ and “naughty” content.

This is not the kind of show that is constantly flaunting its association with a game involving adult material. (In other words, it’s not Yosuga no Sora.) The paradox of this is on the rather simple side: it’s possible for people to find that a not insignificant part of the point was lost by cutting out the “naughty” material for television purposes. That or they’re just saving that for later, but seriously, it hasn’t been anywhere close to that kind of content.

Now, this is an excellently animated show with likable characters (for the most part… our leading girl’s older brother is kind of an egotistical jerk but oh well), nice voice acting, lighthearted comedy, and eye candy to watch by virtue of the cute girls. Therefore, it is, for pretty much the whole part, an easy show to watch and listen to, very little that’s heavy and… er…

Well, therein lies the problem. The plot is incredibly lightweight so far.

I mean, I’m not saying that’s bad, but… it kind of is?

Now, this isn’t going to proceed without something to shake things up to break things out of this state of affairs, to get more serious, and indeed, that’s what starts to form in the last episode that aired. Put simply, a beautiful vampire girl getting happiness this easily isn’t going to be allowed. It’s against the rules of drama.

It’s just that we’ve seen what amounts to an astonishingly lightweight, puddle deep romance building with a wide variety of other girls who would love to go after the main character, but won’t, since unlike a video game, there is only one “route” in this anime. (Some shows try things differently, but in this case, there’s no attempt to go there really.)

It’s sweet, and all, and I’ve enjoyed watching to this point, but… good God, people, some plot with some actual WEIGHT to it is not a crime!!

Lightweight. That’s what’s going to be written on this show’s tombstone. No one needs everything to be filled with gloomy depression, or at least, with gloomy main characters (Yakumo let’s say…) but there is another extreme, and this kind of show is it.

I mean, at least in Shukufuku no Campanella (another game based on an adult “visual novel” PC game) it existed in a fantasy world where there were occasional battles with baddies worthy of an… RPG intended for 8 year old girls.

But it was something!!!

Actually, that show had a lot more teasing scenes for fan service (albeit with an innocent air that might fool people who don’t use Google into thinking that it wasn’t based on a game with adult content) than Fortune Arterial has.

Personally, I have no real problem with that, but I’m sure a lot of people will mind, somehow…

Anyway, astonishing normality or not, the high quality animation and (to me) likable characters made watching this no chore, as of episode 7. I just hope that the inevitable drama is worth it. Plot does require such things after all.

We still value plot, don’t we?

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A More Sincere “Iron Man” Worth Watching

A Better, More Human Tony Stark

If there’s one thing that I have to criticize the Iron Man movies for, it is having a Tony Stark who is, in terms of his persona, someone absolutely impossible to sympathize with. His runaway ego may be realistic in certain senses, and certainly reflects the actor himself, playing up the runaway billionaire aspect, but it creates a detachment effect between Tony Stark’s character and the viewer that creates much more separation than the armored suit itself.

That’s not what we’re seeing with the Iron Man anime that is currently airing in Japan. The eighth episode has aired, and capping several weeks of strength, we get to see a Tony Stark who is, for one thing, more human.

Put differently, this Tony is better at being human – and he thanks Dr. Yinsen for turning his life around and saving not only his life, but his soul. I have chosen not to write further about this without spoiler tags, because this is a massive plot point for the show, and for now, I will pass because it is not immediately relevant to my point: this Tony is trying hard to live a proper life, but faces great skepticism in his efforts.

This skepticism is rooted in three places: the Japanese public – for Tony is in Japan to oversee the completion of a major company project there; the Japanese government, which deeply distrusts this American; and the terrorist organization Zodiac, which cranks out our regular Enemy of the Week and is, so far, more than adequately filling the role of organizational antagonist.

Zodiac is essentially aiming its efforts at breaking Tony Stark, the human. While it might not shed too many tears if he were to die as a result of its efforts, what they have sought to break is not just his body, but that very human soul that defines Tony’s character in this anime.

This Tony actually says with a straight face that he’s not a man who lies easily. At least, that’s what he tells the girls. Even with Japanese script writing and dialog, he comes through as a very confident man – but with many demons he has fought and continues to fight.

Most importantly, a show like this, to make compelling episodes, has to give us people to care about, even if this process is, by its nature, very “comic book.” That’s not, however, the point.

The point is, the Tony Stark character really does care about the people who he tries to save. It’s the genuine emotion shown by the character for other people, and not simply for his own egotistical satisfaction, for his reputation, for his company, for his legacy, or just because he feels like it, or even to prove his worth as a human being.

He’s doing it because he actually gives a damn.

This is a Tony Stark I have missed, and any reader of recent American comics, or viewer of the Iron Man movies, should know, without further explanation, exactly what I am talking about.

This is a Tony Stark who lives up to the status of hero, and that is something I have not seen for what feels like a very long time.

For that alone, I recommend this show to fans of Iron Man.

I have chosen those words carefully. A great many people are fans of Iron Man while studiously avoiding being fans of Tony Stark. Watch this show, and you won’t have to choose. You can just watch and enjoy.

What more can you ask for?

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Mecha Anime: Gundam Dynames (From: Gundam 00)

A Sniper’s Dream Come True

For people who have not actually watched Gundam 00, this post may show you things you have not seen before. Really, I wanted to resume showing the background of the Gundam 00 Movie, not so much in terms of plot, which you could skip 98% of and still grasp the movie, but in terms of mecha, which are the real reason to watch a mecha show.

I know, I know, it’s supposed to be human drama, but when you make machines that have humanoid characteristics, they become de facto characters as well. Let’s not deny that they’re a big part of the attraction.

Recap: Technological Foundation

All Gundams in Gundam 00 are based around a super-particle that the series calls GN Particles, with no actual breakdown of what “GN” stands for. Keep this in mind when reading the rest of this article.

The Gundams of the “protagonist” organization Celestial Being use what are known as “solar furnaces” for engines, miraculous even for the futuristic setting, being nearly perpetual energy machines. These GN Drives have effectively unlimited operating time, but are limited in how much energy they can generate at any one moment. This provides the foundation for the Gundams’ astonishing abilities and weaponry.

Concept

As the first headline suggests, Dynames was designed for sniping. However, this is not quite its only function; it serves as a highly mobile sniper/ sharpshooter. The combination of relatively high agility and great accuracy and power in its ranged weapons creates the need for what passes for a co-pilot.

“Haro”

This cute looking talking robot was originally part of the first Mobile Suit Gundam as a hand-built toy created by the main character, a teenager with high mechanical aptitude. (As with many old mecha anime (and despite the show’s overall introduction of a highly “realistic” style), the main character was the son of the lead designer of the Gundam itself.) In later incarnations of the franchise, Haro units appeared at various times as well.

Only in one previous anime, Gundam V (“Victory”), did a fully intelligent AI-based Haro serve as a co-pilot for an early teen main character. Here, the pilot is the decidedly young adult Lockon Stratos (a codename).

With this setup, Haro acts as the co-pilot, but in reality, handles virtually everything except actual shooting. This includes evasive action, sensor search, emergency SOS, and so on and so forth.

Cockpit of Gundam Dynames. Lineart from mahq.net

Weapons

GN Beam Sabers

Although not favored by the design concept, this suit is equipped with two GN Beam Sabers (originally explained here) for last-ditch melee defense. As the chosen pilot is not a close combat specialist by any stretch, even pistols (see below) are preferred to this unless truly desperate.

GN Beam Pistols

Dynames is equipped with a pair of GN Pistols, firing high velocity GN particles with great rate of fire and accuracy. Lockon and Haro combine to create a combat style of high speed evasion combined with pinpoint shots at close range, though things like strafing can be done to hold the enemy at a distance.

GN Missiles

The front skirt armor and both knees contain launchers for GN Missiles, which are ideally used against large targets or groups of enemies. Thus, Dynames has a means of delivering heavy firepower that the Exia cannot match, as one example.

GN Sniper Rifle

This is the main weapon of Gundam Dynames.

To put it briefly, the GN Sniper Rifle is a high energy, long range, extremely accurate sniper rifle. However, the GN Drive used by Dynames provides so much energy that the sniper rifle can be fired multiple times in close succession. This makes Dynames more resistant to “rushing” tactics.

Given time to shoot, the power and accuracy of this rifle is more than sufficient to annihilate whole squads in short order. In addition, the energy blasts are so rich with particles that atmospheric dissipation of energy beams is less of a factor, resulting in much longer effective range than most blasts would have.

The rifle can be stabilized by a bipod, taking advantage of the mobile suit’s humanoid design, but is usually attached to a rotatable right shoulder dock (which allows Dynames to switch to other weapons without losing the rifle). An optional scope may be attached above the barrel, in addition to the head’s custom external optics to further enhance reliability in targeting.

Who could multitask with this? That's why there's Haro.

A custom control system within the cockpit is used to make firing the rifle as similar to firing a “real” rifle as possible, allowing a human’s acquired sharpshooting skills to be fully translated through the suit to the final shot.

Super Substratospheric Altitude Gun

This is a special weapon system, essentially a SuperSized GM Sniper Rifle with obscene weight and bulk, that is meant for one task: sniping orbital targets from the surface of the Earth. This, combined with holographic camouflage that hides the suit before the critical moment, allows Dynames to receive an order, equip the weapon, aim, and blast a satellite from the ground.

Aside from that single purpose, it is not very practical, but it is powerful. It’s the sort of idea that gets put into a show just because it’s cool.

It is, too.

Conclusion: In The Right Hands…

In the hands of a born sniper with well-honed skills, this would be an incredibly deadly weapon of battle. Given that exactly such a person did pilot it, this was an incredibly effective tactical weapon.

Of course, it lacked any truly special defensive system – something addressed in a later version – and always retained a vulnerability in melee combat, but only a select few pilots (with the right machine) would be capable of exploiting this weakness.

Being specialized is not a bad thing. Used properly and wisely, this high performance machine played its role very, very well indeed.

Stuck in the wrong tactical situation, it would not fare well at all.

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Education Through Naruto: Yudan Taiteki

I decided to use something out of Naruto manga for educational purposes. I mean, why not? It may not be high literature, but it can be used to show little pieces of the Japanese language.

Audio Version

[audio:https://jp.learnoutlive.com/media/Naruto%20Yudan%20Taiteki.mp3]download mp3

油断大敵

While not my usual fare, I’m trying to catch up on Naruto manga because erm… way too many kids are into this stuff on both sides of the Pacific, so it’s hard connecting to such people about Japanese without knowing something about this.

So, in the course of this, I learned that the title of chapter 5 of the manga (yes, very early) is “Yudan Taiteki,” shown as the kanji above. In kana, ゆだんたいてき.

It is important to note that yuudan would be a different word, while yudan uses a short, but strong “u.” I’m recording this lesson partly so that people can hear it from me.

Anyway, yudan is very easy to define: it’s carelessness, or perhaps better said as negligence, unpreparedness and thoughtlessness.

The kanji combine “oil” with “judgment,” so this is, in a rather literal way, letting your judgment slip.

The “taiteki” part, while usually translated as greatest enemy, actually means great enemy. So, the original statement has a bit of understatement, but only slight:

Negligence is a great foe.

But, this can be localized (i.e. further Americanized) to mean carelessness is one’s greatest enemy. Or something like that. Either way, the meaning is preserved.

The manga chapter in question deals with this subject. Taking one’s foe for granted, being distracted by taunting, and so forth, leads to defeat.

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The YouTube of Manga? For Real?

Above: “Absolutely not!!” (ironic promo image used for the subject of this post by Ken Akamatsu, creator of Love Hina, and thus the actual holder of the intellectual property thereof.)

いいえ、本当かも

(It Really Might Be For Real!)

The Gist:

Ken Akamatsu, the creator of Love Hina, has founded a project that promises to be the YouTube of Manga. I am not making that up; this blog post (it’s in Japanese, FYI!) uses that exact premise. (There’s also a comparison to Nico Video, which is a Japanese, YouTube-style service.)

This is something that the manga industry has desperately needed for years. For serious fans, the sheer physical size and weight of a manga collection is a major burden. This is why, in spite of being a voracious reader of Japanese, I own very few physical manga myself. And I used to translate them for a meager living! (Well, TokyoPop always got the copies back after I was done with them, but that’s another story…)

The Idea:

Manga creators will be able to upload their works in the simplest of manners, .jpg format images in a Zip file, and the site will automatically unpack the data and make it available both in web reader format and in PDF format. Now, I’m not the greatest fan of PDF, but there will be no DRM whatsoever and you can give the stuff to friends at your own discretion. It will also be 100% free, using per-click revenue distribution to reward the authors without thick, thick piles of publisher bureaucracy, red tape and all the massive costs of physical printing and distribution.

Why This Matters:

Manga has been a declining industry for a while. Ken himself has asked the obvious question: what comes after Bleach and Naruto and One Piece? What? These three pillars are holding up the entire industry, and a lot of very good and very creative stuff rests in their shadows. More importantly, the sheer infrastructure of it all is hard pressed to keep up with the modern world… and digital distribution has been a bright light, but has never been implemented in a workable way.

On Nov. 26, we’ll see if this way will work.

Ken is wealthy enough to not need to make one dime on it. His interest is promoting creativity, authors, and getting both as close to the fans as possible. Realistically, this will be covering a lot of out of print works, but that’s OK. There’s a lot of out of print titles people haven’t read.

Ken leads the way with all 14 volumes of Love Hina, which will therefore be available for free download and viewing once the full site is up.

I haven’t actually read the manga, and I only saw a few episodes of the anime (like 3, I think?), so I will be reading.

As a former manga translator (of high skill and great pride in my work), let me tell you my simple and honest opinion: the industry NEEDS this. That includes the U.S. side, though contracts and rights issues may make doing the same thing on U.S. shores more difficult.

If it ever does happen, I would do everything possible to support it myself.

I even have my own dreams of novel writing, for the works of great Japanese artists inspire me deeply and really make me want to create on my own. It’s ideas like this that give me some hope in this world.

This is an idea whose time has come. We’re not all carpenters. We can’t just build shelves to store 100 volumes of manga. Even if you have to pay for it, and believe me, I’m all for supporting creators and artists, the point is having it in a good format that you can have on a hard drive or portable device.

Why can’t you be able to enjoy manga on PC, or iPad, or PS3 image viewer, or PSP, or anything of the sort? Why not? Let’s strip the barriers down, get the support to these artists that they richly deserve, and spread the joy of artistic creativity to the fans and readers who will enjoy and appreciate it.

The YouTube of Manga? It’s time.

Let’s do it.

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Japanese Culture: “Chick Flick” Anime

Like Romance Novels On A TV

In American culture, a “chick flick” is a romance oriented movie that occurs from a woman’s perspective and is meant to play to a woman’s tastes.

There is anime like this as well, and Hakuouki: Hekketsu Roku (the sequel to the first Hakuouki) is a leading example.

To make a long story short, this is a historical drama with a fictional supernatural twist, with a female lead who comes to be with the Shinsengumi, “New Select Group,” an elite special police force, during the death throes of the Tokugawa shogunate (i.e. the battles that gave way to the Meiji Restoration). The pretty, but not idealized, female lead is therefore surrounded by handsome, very much idealized male leads and supporting characters.

Also, she happens to be on the losing side, essentially witnessing a tragedy in progress as lives expire; indeed, an entire era and a whole way of life is expiring as the best swordsmen Japan could hope for in that day and age found their blood and heroics for nothing.

Now, without getting into the niceties of plot, that’s essentially the whole show. Last season, the members of the Shinsengumi were still in “wafuku” (Japanese-style clothing,” and this season they’re in snappy Western uniforms as things get really bad, but anyway, that’s the essence of it.

This is not a show to observe military tactics at work, or for swordfighting (there’s lots of edge on edge katana fighting, which is fine for a “chick flick” where women don’t know the niceties of swordfighting, nor do they care). It is a show for seeing a lot of male leads that girls might like to fall for, imagining themselves in various roles and scenes on the side while the television show itself (for at this point, this being anime is quite irrelevant) proceeds towards some kind of historical finality and plot conclusion. The show is mid-way through its second and final season.

I presume final, because there’s not much of the Shinsengumi left to collapse.

A Leap Into “Fantasy”

The point of this is that even though the events portrayed are barely a hundred and forty years ago, they might as well have taken place a full thousand years ago considering the cultural, technological, and psychological chasm between that time and the time modern Japanese (or Western) viewers live in.

In other words, this is a leap into a world of fantasy. It may be fantasy that resonates on a cultural level, but it is no less fantasy than magic spells, swords and flying dragons.

There is also the fantasy of a girl who is not hot, but who is pretty, being sincerely cared about by so many dashing young men, even if fate is against them all. This is very much reflective of romance novel character design.

In this case, the show was merely based on a Playstation 2 game. While most games surrounding romance are explicitly geared for males, this is one of the notable exceptions. Also, it covered a period rich enough in history to provide a platform for well developed characters, settings, animation, and so forth. Obviously, the plot (which I am not getting into) also made a leap in the process.

While hardly a mainstay of Japanese anime, the “chick flick” style represented here does exist as part of the mosaic of entertainment in Japanese society. This show will never approach Naruto or Bleach status, nor was it designed to; however, it offers an opportunity to get a feel for the era, just as Seven Samurai offers us a window into the samurai as they lived, and died, in the wake of the end of the Civil War era.

Hakuouki represents the end of the era that followed the Civil War era, and represents the dawn of Japan’s modern era, which lasted until WWII. There is something of a pattern here.

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Japanese Rap Music: Send In The Clowns

Where Seriousness Goes To Die

I make a bad clown.

Even though I laugh at a lot in my personal life, I’ve been very reluctant to be a clown in my professional life. I’m just not good at it, but, well, I don’t have much left to lose lately.

Since I’m not really ready to lead the way myself, I’ll just drag content in that’s reflective of that sentiment. Here’s a couple of videos, referenced by Gakuranman, featuring Man-san, a black man originating from Sweden who raps in Japanese language (nihongo).

While one notable friend commented about this saying, “Nature did not intend for certain things to exist,” people seem to like this. So off you go.

Now just so you understand something, “shou ga nai” is usually read as “it can’t be helped,” but making this negative statement into a positive one – “shou ga aru” – is more in the sense of taking “there’s nothing we can do” and transforming it into “there IS something we can do.”

Nagoya is here (Google Maps).

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